Exnun "Nutshell Studies of Unexplained Death" digital album

Exnun

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EXNUN

CD jewel case

Release date: 9th June 2023

“Nutshell Studies of Unexplained Death” is an album mixes hardcore punk’s ferocity with extreme metal’s dark, poetic complexity.

Musically it deconstructs all the basic elements of punk, hardcore, grind, death metal, noise, thrash and black metal and puts the pieces together in a nonconforming post-modern way while sound-wise staying raw and old school.

Lyrically this is an album about the normalization of collective insanity and how our twisted, unrealistic definition of the “normal” affects the mental health of the individuals and the society. Today the system we live in pushes us further into a soul crushing monotony and sameness filled with a horrifying suppressed anxiety.

Everyday we ignore our emotions and try to meet unrealistic expectations of the society whose only fundamental value is money. We don’t know where we are, what we are and why do we live because we compleletly forgot our universal cosmic roots.

Overwhelming feeling of powerlessness and desperation it creates on every individual gets us little bit closer to inhumanity everyday and since everybody is trying to act like everything is ok, everyone of us thinks “something should be wrong with me” while the only thing being wrong is living in a system which values the money and power more than love, happiness, beauty, meaning, truth and freedom.

Album takes its name from “The Nutshell Studies of Unexplained Death” which is a series of nineteen intricately designed dollhouse-style dioramas of actual murder scenes, created by Frances Glessner Lee (1878–1962), a pioneer in forensic science.

Lyrics of the songs are seperate poems while the actual vocal lines recorded on the album are just selected words and lines from the poems and inscrutable screams emphasizes emotion more than meaning.

The album is recorded in Istanbul by the band, mixed by Taylor Young at The Pit Recording Studio and mastered by Brad Boatright at Audiosiege. 

 

 

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